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La Lechuza was mixed (with the exception of the three aforementioned songs) by Mark Lawson (Arcade Fire
the musicology of 19th century repertoire from Jewish shtetls
or forged directly out of the seasonal extremes of Canadian nature
underpin two string quintets—Ghost Orchestra (Reykjavík) and Possible Orchestra (Winnipeg)—processed and erased in a doleful durational work
CST131 Eric Chenaux | Slowly Paradise CST087 La Lechuza was mixed (withEric Chenaux operates among various musical 'traditions' but perhaps most broadly, his records grapple with the relationship between improvisation and structure in very particular, unique, idiosyncratic ways and quite without irony or cynicism, through love. Because fundamentally, Chenaux writes love songs, which he sings in a voice honeyed and clear, while his guitar gently bends, frazzes, chortles, diverges and decomposes. This juxtaposition of his